Today I signed up for my last semester of classes as a master’s student. I am taking a course entitled Regionalism, Race, and Nationalism in Late 19th and Early 20th c. American Fiction taught by Dr. Donna Campbell. I am looking forward to this class as well as an opportunity to shadow Dr. Leeann Hunter‘s Women Writers course. What an exciting spring!
Earlier this fall I presented at the Pacific Ancient and Modern Language Association‘s conference in Seattle. I had a fantastic time exploring the city and presenting my paper. My presentation employed Judith Halberstam’s theory of Queer Temporality on the Victorian prostitute and explored the ways in which women of the time could have used prostitution as a means to agency. My paper was very well-received. I was lucky enough to present on one of three Women and Work panels, led by Dr. Susanne Weil. I love presenting my work and this was perhaps the most supportive and fun conference I’ve attended. The keynote was Sandra Cisneros who put on a spectacular reading of some of her poems and her most recent work Have You Seen Marie? Her spirit and energy had the whole crowd in tears and was personally moving and inspirational.
The primary theme of this semester has been self-motivation. I have started waking up around 6AM every morning in order to take full advantage of each and every day. Through this I have been able to integrate a daily writing regime, better time management skills, and a more self-reliant and affordable daily routine (making my own breakfast, lunch, coffee, and tea.) This leaves me with more time in the evenings to do the things I love like knitting, baking, and mindlessly watching television with my partner.
The primary motivation for this new schedule is my thesis. I am two chapters in at this point and I feel confident that I will finish by my self-imposed February 1st deadline. My committee is made up of three wonderful WSU faculty members and I am excited to hear more feedback as my writing progresses. My thesis is about Virginia Woolf’s use of écriture féminine mecanique, my thoroughly modernist reinvention of Cixous and Kristeva’s paramount theory of bodily women’s writing. I am tentatively using To the Lighthouse, The Waves, and Orlando as my textual foundations. I’ll keep the blog up to date with further developments!